This is quota thing is going to put me in an early grave. With the new year coming there might have to be some slight modifications. But that is over a month away so back on the computer to finish up the last post of the month. As with the previous post, this one is courtesy of our trip to Vegas although this one isn’t about wildlife photography…. rather landscape photography.
You may not know that Linda is a Peter groupie.. EEK! backspace backspace backspace… start again. You may not know that Linda is a big fan of Peter Lik. That actually doesn’t sound a whole lot better but before your mind goes somewhere it shouldn’t, Peter Lik is a pretty famous outdoor photographer. Linda has been following his work for sometime now likely due to the association with her own interest in landscape photography. If photographers can have groupies, Linda could be the president of his fan club. She watched all his shows on the Weather Channel (long story) and an avid follower of his blog until it shriveled up and died (probably got quota’d out hehehe). Now days she is on his mailing lists and forums to keep up on the latest releases and happenings in the photography world. The fact that he considers Vegas the headquarters of the Lik enterprise was very much on Linda’s mind leading up to our trip out there – a strange fact seeing as he is the son of Czech parents and raised in Australia. She even managed to find all of his galleries out there as well as the address for his corporate offices. Clearly there was going to be treks through some snooty studios and a road trip in our future.
Since we were staying at the Palazzo we decided to head over to the Venetian gallery first. Sure enough, they had his classic works as well as some new pieces adorning the walls. I rarely openly comment on the works of professional photographers in fear of offending someone or ballooning egos, but in this case, I’ll make an exception. His work is quite stunning! This especially holds true if you appreciate landscape photography and a proprietary printing process that makes his images pop right out of the frame. I really can’t explain what it is about his shots, but if you are not impressed when walking in his galleries you might want to have your pulse checked. True to our other experiences in gallery stores, we were quickly greeted by one of the sales associates. The next two+ hours was quite the event.
We would approach a picture, the salesman would start to say something about it and Linda would quickly proceed to explain the entire background on it – where it was shot, how it was shot, when it came out, in some instances the camera he used and what hat he was wearing at the time. The associated was damn impressed – me, more worried she was going to quit her day job, buy a jeep and start camping out at remote sites Peter was planning to shoot. During the course of the walkthrough, we also learned a tremendous amount which included insights into how some of the shots were taken (that Linda was not aware of), some advanced information on some release cycle changes and the logarithmic pricing based on percentage of the total release size. I recall from other gallery walks that the staff was continually throwing out percentage numbers and had no idea what that meant … actually my guess was some kind of bonus they were getting per sell. Not exactly true. The percentages represent what band of pricing the picture is currently selling at. Shots in the early cycle go for a lower price which jumps significantly when it gets to the 80’s 90’s and heartstopping sold out. As luck would have it, the image I really like is selling well and is now priced at 60K. Oh well, there’s always the lottery or more appropriately in Vegas – a lucky pull on the Mega bandit. Note they had Linda’s favorite picture of Peter’s on the wall as well.
And then we came to the last picture. The recently released Zebra shot. I do no remember how large this particular picture was, but it was easily 2 meters square. The neat thing about this is it is his first wildlife release and more intriguing to me.. his first shot taken with a Nikon (800 I think … Linda can verify). Not to often when a professional artist sees the light and switches sides – take that Canon lovers! From a collectors perspective, this shot has a lot going for it – two firsts in the same shot. We looked at it for awhile and commented it was interesting – maybe not the word to use in a gallery. The salesman started scurrying around and mentioned something about “going to do something for us”. We didn’t think much about it and started backtracking on a couple of pictures which included another look at Linda’s favorite shot. A few minutes later we look over and that huge zebra shot was making its way down the aisle with a pair of legs sticking out from under it. Ummm, looks like things are going to get more interesting. After quite the struggle, he gets it inside a viewing room and proceeds to change all the lighting around to show the different effects it has based on the level of light – again, another stunning feature of whatever process he created to print these babies. Linda and I bantered back and forth about how we were looking for something to hang on our fireplace but eventually came to the conclusion that the whites and blacks would blend too much with our river rock… that and the part I didn’t say – I just don’t think the shot is that great but I could just be a jaded wildlife photographer. The next 30 minutes is somewhat of a blur but our banter turned into some serious discussion which led to the idea that more color would do the trick and the next thing I know we are looking at Linda’s favorite picture in another viewing room. Lights down, lights up, stand close, stand back, sit stand and all we can say to each other is WOW. I’ll make a long story short(er), but you probably saw this coming a lot earlier.
hit the jump to read about the rest of the experience